Alicia Wright is from Rome, Georgia. She attended Middlebury College; she's worked at the Strand, as a literary scout, and as part of a publishing startup. She's received support from the Bread Loaf Writers' Conference and fellowships from the Iowa Writers' Workshop. At present, she's a Ph.D. candidate in English & Literary Arts at the University of Denver, where she works on 20th + 21st century poetry and poetics and the ecopoetics of the U.S. Southeast. She was the 2020—2021 Denver Quarterly Editorial Fellow (Associate Editor), currently works as its Managing Editor, and is the founding editor of Annulet: A Journal of Poetics.
Manuscript: "You're Called By The Same Sound" was a finalist for this past year's National Poetry Series competition, BOA Edition's A. Poulin, Jr. Prize, and Fordham Univeristy Press's Poets Out Loud Prize.
*Readings & Conferences
SAMLA 2020: "Documentary Practices, Lyric Impulses, Confessional Outcomes: [Re]Configuring an Adaptive Poetry Practice"
New Orleans Poetry Festival: "Poetry’s Signposts: Site Markers, Cemeteries, and Trails as Transhistorical Forms"
The Louisville Conference on Literature and Culture since 1900: Creative Panel
MLA 2020: "Remixing, Refusals, and Reinterrogations in Contemporary Southern Experimental Poetry"
*Essays, Reviews, Interviews, and Critical Writing
Lyric essay in Avidly, a channel of the Los Angeles Review of Books: "On Writing About Dorothy Wordsworth’s The Grasmere Journal"
*News & Media
"First Eclogue" appears in The Orison Anthology 2018
"Jane in Starving Time" selected by Shane McCrae as Winner of the 2017 Wabash Prize in Poetry. Read his response here!
New Delta Review: "Years Later I Buy Two of Your Paintings"
Prelude: "Sotweed Factor Danse Macabre", in print: "Insect Plague Halts Cars"
New South: "We Are Always Both in the Field," Winner of the 2015 New Writing Contest selected by Roger Reeves, nominated for a Pushcart Prize
The Southeast Review: "Elegy for Marilyn With Streaks of Silver" and "Self Portrait as St. Peter's Youth Group Member"
The Literary Review: "Origin Story" and "Elegy With a Man's Hands in the Garden"
Indiana Review: "His Father's Wake", selected by Camille Rankine for their 2016 Poetry Prize
Southern Humanities Review: "On the Morning I Know I Know Walnut Grove Plantation, 2014" and "Cloud of Unknowing", finalists for the 2016 Auburn Witness Prize
The Iowa Review: "Opal Reunion"
Ecotone: "Photograph: Alice Allgood Cooper on Her Wedding Trip, 1888", "First Eclogue", "Cotton Block"
Yalobusha Review: "Lux Aurumque", "Wreath", "Downshift"
Flag + Void: "Untitled, Rome (1962)", "Honey in the Rock"
The Greensboro Review: "Removal Fort"
The Account: "Compress Pastoral", "Buckshot", "Irradiation"
West Branch: "Requiem with Flamingo Flock"
Crazyhorse: "Eclogue in Rills, 1944" and "Wraparound"
The Boiler: "Town Under Lake"
Cream City Review: "Undated Incidents Concerning Occupation" and "In My Father's House There Are Many Houses"
Tinderbox Poetry Journal: "Sotto Voce, Abandoned Barn"
Beloit Poetry Journal: "From Grass to Grass"
The Paris Review: "Everything That Rises"
jubilat: "Eulogy at Headwaters"
DIAGRAM: "Sister", "Freshly Painted Cabinets", "Anamnesis" (fiction)
Phi Kappa Phi Forum: "Break Two Rules"