Alicia Wright is from Rome, Georgia. She attended Middlebury College; she lived in Brooklyn and worked at the Strand, as a literary scout, and as part of a publishing startup. She's been awarded a scholarship from the Bread Loaf Writers' Conference and fellowships from the Iowa Writers' Workshop. At present, she's a PhD candidate in English & Literary Arts at the University of Denver, where she works on historical poetics and the ecopoetics of the U.S. South. She is this year's Denver Quarterly Editorial Fellow (Associate Editor).
*Readings & Conferences
SAMLA 2020: "Documentary Practices, Lyric Impulses, Confessional Outcomes: [Re]Configuring an Adaptive Poetry Practice", for the panel "Courting Scandal, Risking Truth: Creative Writers on the Pleasures and Limits of Self-Disclosure"
New Orleans Poetry Festival, Panel: Sites of History, Direction and Space in Poetry and Poetics with Emily Barton Altman and Kelly Krumrie
The Louisville Conference on Literature and Culture since 1900: Creative Panel
MLA 2020 presentation: "Remixing, Refusals, and Reinterrogtions in Contemporary Southern Experimental Poetry", for the panel "Are We in a New Southern Literary Renaissance?"
*Essays, Reviews, Interviews, and Critical Writing
Lyric essay in Avidly, a channel of the Los Angeles Review of Books: "On Writing About Dorothy Wordsworth’s The Grasmere Journal"
*News & Media
"First Eclogue" appears in The Orison Anthology 2018
"Jane in Starving Time" selected by Shane McCrae as Winner of the 2017 Wabash Prize in Poetry. Read his response here!
New Delta Review: "Years Later I Buy Two of Your Paintings"
Prelude: "Sotweed Factor Danse Macabre", in print: "Insect Plague Halts Cars"
New South: "We Are Always Both in the Field," Winner of the 2015 New Writing Contest selected by Roger Reeves, nominated for a Pushcart Prize
The Southeast Review: "Elegy for Marilyn With Streaks of Silver" and "Self Portrait as St. Peter's Youth Group Member"
The Literary Review: "Origin Story" and "Elegy With a Man's Hands in the Garden"
Indiana Review: "His Father's Wake", selected by Camille Rankine for their 2016 Poetry Prize
Southern Humanities Review: "On the Morning I Know I Know Walnut Grove Plantation, 2014" and "Cloud of Unknowing", finalists for the 2016 Auburn Witness Prize
The Iowa Review: "Opal Reunion"
Ecotone: "Photograph: Alice Allgood Cooper on Her Wedding Trip, 1888", "First Eclogue", "Cotton Block"
Yalobusha Review: "Lux Aurumque", "Wreath", "Downshift"
Flag + Void: "Untitled, Rome (1962)", "Honey in the Rock"
The Greensboro Review: "Removal Fort"
The Account: "Compress Pastoral", "Buckshot", "Irradiation"
West Branch: "Requiem with Flamingo Flock"
Crazyhorse: "Eclogue in Rills, 1944" and "Wraparound"
The Boiler: "Town Under Lake"
Cream City Review: "Undated Incidents Concerning Occupation" and "In My Father's House There Are Many Houses"
Tinderbox Poetry Journal: "Sotto Voce, Abandoned Barn"
Beloit Poetry Journal: "From Grass to Grass"
forthcoming in The Paris Review: "Everything That Rises"
forthcoming in jubilat: "Eulogy at Headwaters"
forthcoming in DIAGRAM: "Sister", "Freshly Painted Cabinets", "Anamnesis" (fiction)